200453 - Large Old Tribal used African Bakongo protection figure - Congo.

Description

Extremly Rare Large old Expressive african figure from the Bakongo, Congo, with an child front.
Such figures are used for personal protection and her child.
Hand carved from a single piece of wood and collected in 1958.
Height are 80 cm.
This Bakongo
statue
was collected between 1930 and 1950 and ended up in my private collection in 1992.
The Kongo may number about three million people.
Present in three countries – the Democratic Republic of the Congo, Angola and the Congo Republic – the Kongo occupy the region at the mouth of the Congo River. Numerous subgroups go to form the vast Kongo cultural complex, among which are the Vili, the Woyo and the Yombe.
These tribes produce a diversity of artistic styles, with Kongo art being one of the best known.
The Kongo demonstrate the extreme complexity of their traditions on major occasions, such as the investiture of a chief or at funerals. The Kongo pantheon was small: one all-powerful god who gave healing powers to the king, to the
nganga
, and to the heads of cults. Besides their textiles of great renown, the Kongo had a funerary art of decorated steles and funerary statues in stone, very often depicting the chief seated cross-legged in a posture of reflection. Some of these statues were placed on tombs to aid the spirits of the dead to join the world of the deceased.Wood sculptures represent royal wives, hunters, musicians, and healers. Their postures vary: sometimes they kneel in a position of respect, the head bent slightly backwards; women might be depicted seated with the child they hold by the neck or whom they are nursing. The cheeks are round, the face, carefully rendered, is realistic. The patina is smooth, the bust scarified. Elaborate geometrical patterns occur on the pedestal or the body, where they may be mingled with fine scarification marks. The figures were used to ward off danger to mothers during delivery and to protect the health of the child.
The commemorative statues known as
phemba
were designed for women who had lost a child and wanted another. These carvings, generally sophisticated and very graceful, were thought to favor such a happy event.
A maternity statue’s effectiveness depended on the dignity of the figure and its youth (shown by the firmness of the breasts) and the jewelry, which augmented its beauty and status.
Although the majority of carved figures are made of wood, many important pieces in metal and iv. have been found. Among them are numerous metal figures clearly influenced by the Portuguese missionaries -- statuettes of Christian saints, for example. In addition to the figures, crucifixes were also produced, in brass or bronze (using the lost-wax method of casting).
Nail and mirror fetishes are a unique and important phenomenon of Kongo sculpture. In the Kongo, all these fetishes are called
nkisi
.
Nkisi
means “medicine”. Historically, there were two types of
nkisi
, public and private, with some having vital democratizing roles, as sources of empowerment for rural residents and individuals outside the court. At most basic, the
nkisi
represents a container of empowering materials or “medicines” called
bilongo
.
The magical substances may be blood along with animal, vegetable, and mineral matter. They are believed to invest the fetish figure with power and make it possible for the devotee to establish contact with the spirit.
The “medicines” are generally secured in cavities in the stomach, head, or back to activate the work with the empowering agent. The
nkisi
, properly endowed with magic substances and additions by the
nganga
or doctor, had the power to act in a number of ways. There are four main types of
nkisi
, used for different purposes
. Nkondi
are fetishes of ill omen, usually brandishing a spear or a knife, while
npezo
are just as evil, but less menacing in attitude.
Na moganga
are benevolent figures, which protect against sickness and dangerous spirits. They help the hunter and the warrior; while
mbula
protect against witchcraft. All
nkisi
can be used for a variety of purposes and their meaning is ambivalent.
The fetishes also may represent animals:
two-headed dog, sometimes monkey.
A SUMMARY OF OUR AFRICA-GALLERY SELLING POLICIES.
Our Africa-gallery specialized in Ethiopian tribal art, collected and sell tribal used art from all over Africa and special from Ethiopia.
Our Gallery have a collection of authentic, original and traditional art from Africa. This collection including masks, statues, pottery, musical instruments, manuscripts, headrests and other antique, primitive art and various unusual items.
I hardly ever buy direct from Africa. All my items that I sell are old and (tribal) used. My objects come from European and American private collections, auction houses, fellow dealers and other collectors from around the world.
This site gives you an impression of our stock and activities. Authentic, museum quality African tribal art at wholesale prices
We strive to provide deeper public appreciation for high quality African art and to make it accessible to all collectors.
High quality masks, carvings, statues, fetishes, animal figures, ritual objects and bronzes displayed here will add beauty to any home and value to any collection.
In addition, an ever-growing demand for rapidly disappearing original African tribal art makes it a sound investment.
As long-time experienced collectors, we carefully select and authenticate every artifact. Shown here are original, high quality, hand-crafted pieces made of wood or bronze which can be yours at a fraction of gallery prices! Years of traditional use added distinction to many of them.
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Stand
-
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